sib1x15 Script created with Final Draft by Final Draft, Inc.
[previous | bottom]
30 INT. RENGLER MANOR – HALLWAY. NIGHT. 30
Chris paces along again, past a doorway that is slightly
ajar, leading into a large boardroom. Chris checks around and
then ducks inside.
31 INT. RENGLER MANOR – BOARDROOM. NIGHT. 31
A long, well polished mahogany table with tables arranged all
around, and walls filled with framed photographs that Chris
pauses to examine.
We pan along them as Chris examines them – Rengler is seen
warmly shaking hands with everyone from Anton LaVey and
Aleister Crowley to Bill Clinton and Oprah Winfrey...
Chris manages a wry smile at the motley crew of characters
Rengler seems to know, before spotting something in the far
wall.
Hung across the whole of the back wall is a large tapestry,
which seems to depict some exquisitely detailed battle scene
between two hordes of dark-clothed warriors, literally
tearing one another apart with tooth, claw and fang. A large
tower rises out of the centre of the piece, with
thunderclouds and lightning crackling all around it.
Distant sound effects punctuate the scene as we CLOSE IN to
make out two figures standing on top of the tower, locked in
a titanic battle.
Chris studies the tapestry for a moment, then snaps his head
round as he hears muffled voices talking in the corridor
outside. Grabbing a pocket digital camera from his pocket, he
takes a few photos and then looks for a way out.
Spotting a small passageway leading off to the right of the
tapestry, he heads down there.
32 INT. TORTURE ROOM. NIGHT. 32
THWACK. Another dead Doctor drops into view as we lie
sideways on the floor, and as we level out and pan back, we
can see that most of the doctors in the room are lying dead
either on the floor or slumped over the operating tables,
while the released demons exact bloody vengeance on those
still standing.
Danyael joins Twist in the centre of the room as they survey
the happy carnage raging around them. The sounds of punches
and kicks, the clanks of heads bouncing off tables and the
thuds of blows landing are creating a sort of rhythm for the
scene, and after a shared look, Twist and Danyael start
bopping on the spot to it, living out their breakdance
fantasies in this unusual setting.
33 INT. RENGLER MANOR – ANTECHAMBER. NIGHT. 33
The small passageway we left Chris in opens out into a larger
room, and Chris slows down as he walks into it, the brightly
lit rectangular room obviously having something that captures
his attention.
Behind a protective wall of glass is a long and ornate
painting, depicting some kind of chair and an attached
device, DaVinci-style, split out and separated into its
component parts, but viewed from a diagonal angle so the
method of assembly can be seen.
We pull back a little to pick up a glass cabinet, man-sized
but only containing one thing: a plinth with a black velvet
cushion on it, on top of which glints two small, golden
pieces of machinery.
Chris peers into the cabinet at the two pieces of machinery,
looking back across to the painting and identifying them as
parts of the machine.
Chris walks up to the painting, a fascinated look on his
face, and reaches out a hand for it but freezes at the last
moment, correctly realising it's alarmed.
He steps back and draws his camera, but the glass covering
flares up when the flash goes off and Chris frowns as he
realises he'll have to remove the glass to get a picture.
He looks round the room for something to throw, but the long
room is empty apart from those two things. With a shrug, he
rears back and prepares to kick the glass away. Just before
his boot lands, we cut to:
34 INT. RENGLER MANOR – CORRIDOR. NIGHT. 34
With a collective ROAR, the angry demons, freed from
captivity, burst out of the doors from the torture room and
as one race towards the stairs leading up into the mansion
proper, followed a moment later by Twist and Danyael, Twist
brushing her hands together at a job well done.
She and Danyael exchange a nod before starting up the stairs
after the demons, distant sounds of breaking glass and
shouting voices indicating that their diversion is well
underway. Twist pauses suddenly, and taps Danyael on the arm.
She writes down as he turns:
(Hang on a sec, I just spotted something...)
She breaks off towards a doorway to the left. Danyael looks
around, then with a roll of his eyes follows his erstwhile
team-mate into the room.
35 INT. RENGLER MANOR – COMPUTER ROOM. NIGHT. 35
Twist steps into a darkened room with three desks, all with
computer terminals on them. She flicks one on, and with the
whirr of its tower and the clicks of its hard drive, it
starts to boot up.
Danyael pulls a face at her, indicating that they should
hurry up, but Twist holds up a finger to him to wait, before
turning to the screen, her face illuminated by the soft blue
glow from the monitor.
After a beat, she clicks on something on screen with the
mouse and starts to type.
36 INT. RENGLER MANOR – ANTECHAMBER. NIGHT. 36
Chris hops up and down, grimacing with pain and holding his
wounded hand under his armpit. Obviously his attempt to kick
the glass failed, and his follow-up punch just succeeded in
proving how strong the glass is.
A boot print on the glass stares back at Chris as he draws
his katana, first rearing back for a swing at the glass, but
pausing mid-way through and using its tip to cut a small
circle out of the glass instead.
He waits a few beats for an alarm to sound, and when nothing
happens he starts to cut away at the corners of the glass,
hoping to detach the glass from the painting without
activating the alarms.
37 INT. RENGLER MANOR – COMPUTER ROOM. NIGHT. 37
Danyael fidgets in the background as Twist taps away at the
computer's keyboard, pausing to read of whatever's on the
screen.
Danyael coughs once to get her attention, nodding towards the
door when she looks round. Twist scowls and writes on a pile
of printer paper lying on the desk next to her:
(Important!)
She turns back to the screen and reads on, at first frowning
and then looking shocked, her expression one of surprise. She
looks round for a floppy disc, finds one and slams it into
the disc drive, saving whatever it is she's seen. After a few
clicks from the disc, she removes the disc and dashes out of
the room, Danyael in tow behind her.
38 INT. RENGLER MANOR – ANTECHAMBER. NIGHT. 38
Chris is at the far edge of the glass screen, carefully
cutting away the last corner so that the glass will fall away
from the painting and he can either photograph it or steal
it.
Bracing himself to catch the glass as it falls forward, it
falls against him with a meaty THUD, his shoulders flat
against it as he tries to lower the glass carefully to the
ground. He's halfway there when there is a tinkling sound to
his right.
A hairline crack is creeping across the opposite end of the
screen, from top to bottom.
Chris is about eight feet away from the crack. He looks
flustered as he tries to edge slowly along the screen,
keeping it braced as he stretches his fingers out to reach
the crack before the whole chunk of glass breaks away.
Making painstakingly slow process, freezing every time the
grass cracks a little further, Chris makes a superhuman
effort to get his right hand just inches away from the
crack...
Chris' fingers snake into screen, and at the last moment, as
the chunk of broken glass starts to fall away, his hand
lances out and catches it, his palm flat against the broken
piece to support it.
Chris breathes a sigh of relief, but moments later there is
another CRACK, and he is helpless as he turns and sees the
glass crack at the other end of the screen, the fracture
snaking up the screen in seconds.
The chunk of glass falls to the ground and SHATTERS, and a
loud alarm klaxon sounds, the room bathed in red flashing
lights. Chris leaps forward, hands pressed over his ears.
In a glorious slow motion shot, the rest of the screen
SHATTERS as it falls to the floor.
Chris looks down at the mess of glass on the ground, and rubs
a hand over his weary eyes. Looks like another fine mess he's
gotten himself into.
He doesn't look up as we hear the sounds of running feet
rapidly approaching the room.
BLACK OUT:
END OF ACT TWO
ACT THREE
FADE IN:
39 INT. RENGLER MANOR – ANTECHAMBER 39
Resume. Chris stands in the room, motionless, the alarm
bleeping constantly at increasingly loud levels.
40 INT. RENGLER MANOR – CORRIDOR 40
Twist & Danyael race along.
41 INT. RENGLER MANOR – BOARDROOM 41
The Angry Demons cross the Boardroom. Halfway through, they
stop suddenly. Their anger turns to fear.
We catch a brief glimpse of a DEMON staring at them, but we
can't get a decent look at him. He appears to have skin of
rock, or maybe lava.
42 INT. RENGLER MANOR – ANTECHAMBER 42
The alarm stops. Chris looks bemused, and a little concerned.
He reaches into a cleverly concealed holster, and pulls out a
small little dagger before he approaches the door.
43 INT. RENGLER MANOR – ROOM 43
Rengler stares at a Filing Cabinet in front of him. (The same
one from the Teaser.) He eyes it wearily. In his hands is a
Prophecy. It's written in Russian. He laughs unsettlingly as
he reads.
44 INT. RENGLER MANOR – CORRIDOR 44
Twist & Danyael stop. They stare ahead, exchanging quizzical
looks at what stands in front of them.
45 INT. RENGLER MANOR – BOARDROOM 45
A plethora of blood-curdling screams abound, as blood
splashes against the window. We can hear the sounds of some
sort of ruckus going down in there.
46 INT. RENGLER MANOR – ANTECHAMBER 46
Chris approaches the door, tentatively.
47 INT. RENGLER MANOR – ROOM 47
Rengler reads the prophecy out loud in subtitled Russian.
RENGLER
(Russian; subtitled)
The 35th test is grave with peril.
The vampire with half a soul will
fight an enemy unconventional in
means. The escapee from Hell, and
her accomplice, will fight an Army
of the doomed.
(beat; eyes widen)
We do not govern the tests. The
results are not set in stone.
He smiles wryly.
48 INT. RENGLER MANOR – CORRIDOR 48
PAN AROUND from Twist & Danyael to the SKELETON ARMY standing
in front of them, and back around to Twist & Danyael, looking
a lot less confident. Twist sets her jaw and makes a few
practice swings with her trusty bat.
49 INT. RENGLER MANOR – BOARDROOM 49
Chris enters the room, looking around in horror. PAN AROUND
from Chris to the carnage before him, noticeably the very
dead angry demons who were headed for him.
PAN AROUND from the carnage back to Chris, who doesn't
realise that behind him, stands the perpetrator of this
gruesome act of carnage.
Our first good impression of the creature reveals it to be an
aptly named HELLSPAWN DEMON. Six feet in height, 240lbs, skin
of rock and red eyes that haunt the room.
He reaches for Chris with his large hand, but Chris spins
around like a flash, lashing out at the arm with the dagger.
The dagger bounces off the demon's thick hide, causing a
slight spark from an ineffectual hit. The Hellspawn laughs
and BACKHANDS Chris, sending him hurtling across the room
into the wall. Plaster rains down on him as he collapses to
the floor.
50 INT. RENGLER MANOR – CORRIDOR 50
The skeletons approach Twist & Danyael. They grab decorative
swords off the wall as they advance, wrenching them out of
Rengler's displays. Without warning, the skeletons suddenly
CHARGE the duo.
The skeletons come on with a fury. Twist & Danyael can barely
keep up with their onslaught and are pushed backwards, the
skeletons keeping them strictly on the defensive.
Twist bats away one sword blow and lands a good hit back with
her bat, knocking the creature's skull to an awkward angle,
and it staggers away from her.
51 INT. RENGLER MANOR – BOARDROOM 51
Chris slowly gets to his feet, dazed from the punch. The
Hellspawn HITS him again. This time, Chris goes sailing into
the window, which CRACKS slightly.
The Hellspawn approaches, and throws its fist forward. Chris
dodges at the last moment, and the Demon hits the glass,
which CRACKS again.
Chris dances round the beast and lands three solid body
blows, followed by one ferocious PUNCH to the demon's jaw.
After a moment to shake its head, the demon laughs it off and
grabs Chris, throwing him across the room again.
Chris goes smashing through a glass-table, cutting his body
in a half dozen different places. He tries to slowly push
himself to his feet, but the wind is well and truly knocked
out of him
The Hellspawn Demon laughs.
52 INT. RENGLER MANOR – ROOM 52
Rengler waves his hands. In front of him appear two glass
orbs. With their help, he watches the fights in progress.
53 INT. RENGLER MANOR – CORRIDOR 53
Twist chops down a skeleton in front of her, smashing its rib
cage away with one swing and then its skull with another.
Getting in the hang of it, she starts pushing the four she's
fighting backwards.
Loving every minute of it, she doesn't notice that Danyael
isn't faring particularly well.
54 INT. RENGLER MANOR – BOARDROOM 54
The Hellspawn Demon grabs Chris by his collar and raises him
into the air, sneering at the helpless hero as he rears back
his free hand for another killer punch.
Chris spins his legs round, and SLAMS them into the demon's
thigh. He buckles to one knee and Chris rolls to his feet.
With a scoop, he grabs the dagger and starts slicing and
punching for all he's worth.
He has the demon on the ropes, and doesn't let up. The
Hellspawn appears to be losing.
Its eyes tell a different tale.
55 INT. RENGLER MANOR – CORRIDOR 55
Twist takes down the four skeletons in front of her with a
truly awe-inspiring collection of bat swipes. The assortment
of odd bones vanishes before her.
She turns, and sees Danyael getting increasingly pushed back
by the last remaining skeleton, its blade pressed against his
throat.
Twist leaps into the frame, and with a flying swipe knocks
out the creature's neck. Its head bounces down to the floor
and the rest of it falls backwards, shattering into its
component parts on impact.
A relieved Danyael gives Twist the thumbs up as she grins
back and starts swinging the bat around, making lightsaber
'swoosh' noises.
56 INT. RENGLER MANOR – BOARDROOM 56
Chris grabs the Hellspawn by the back of the head and raises
the dagger. He brings it sharply towards the demon's eye, but
the Hellspawn stops it at the last moment.
Chris struggles, but it's too much. The Hellspawn lowers the
arm, and pushes it so the dagger digs into Chris's gut. His
face convulses in agony.
The Hellspawn laughs again.
Chris slowly looks at the Hellspawn with a truly sadistic
gaze. Chris pulls his arms away, and locks both arms around
the Hellspawn's neck.
With concerted effort, he SNAPS the neck, breaking it
instantly. The Hellspawn slumps to the ground.
Chris backs off, and with a wince of pain pulls the dagger
from his gut.
Staring at the blood on the Dagger. His eyes go wide.
Chris SNARLS and approaches the barely alive Hellspawn. He
grabs the dagger and SLAMS it down into the demon's chest.
Chris twists the knife as far as it'll go, and the Hellspawn
dies with a final ROAR of pain.
Chris stands up, and looks at the dagger. After a long beat,
he slowly LICKS the blood from the blade. When all the blood
has been cleaned away, Chris pockets the knife.
He pauses for a moment and closes his eyes, as though sending
that part of himself back into its box again. When his eyes
reopen, he seems calm, focused once more.
57 INT. RENGLER MANOR – CORRIDOR 57
Twist & Danyael walk along. Twist is still all-warm and
tingly from the ass-kicking she meshed out to the skeletons,
while Danyael is a little less warm and tingly, more cold and
bruised.
They turn a corner and see a long staircase leading down into
the ground floor of the manor, and after a quick check left
and right for any more bad guys, they start to descend the
staircase.
58 INT. RENGLER MANOR – BOARDROOM 58
Chris kicks through the door and into the scene dramatically,
the doors knocked off their hinges and clattering to the
floor. He takes one step inside and stops, sniffs the air. He
turns around, something having attracted his attention.
Spotting the Filing Cabinet, Chris walks towards it
cautiously - it wasn't there a moment ago.
59 INT. RENGLER MANOR – BOARDROOM 59
Chris tries to open the cabinet, but it's firmly locked. He
puts his hand on it, and closes his eyes, and after a moment
green tendrils of magic slowly seem to emanate from Chris'
palm, and positioning themselves around the lock.
60 INT. RENGLER MANOR – TORTURE ROOM 60
Twist & Danyael push open the door to the grim chamber and
look around tentatively. Save for them, the room is eerily
empty. They exchange a cautious look and then step inside.
61 INT. RENGLER MANOR – BOARDROOM 61
With a soft FOOM, the lock is blasted open.
62 INT. RENGLER MANOR – ROOM 62
Rengler suddenly falls to his knees, gasping for air. His
eyes snap from side to side, trying to figure out what's just
hit him. His eyes narrow as he realises, and with a snarl he
jumps back to his feet.
63 INT. RENGLER MANOR – TORTURE ROOM 63
Twist studies an operating table. Fresh blood drips off the
side. A disgusted look crosses her face as she ponders just
what could have happened on this very table, and she stands,
shivering on reflex.
Danyael stands behind her, but suddenly shakes his head,
touches his chest, and looks down with alarm as BLOOD seeps
through his clothes. He looks up at Twist, concerned.
She looks round, and her eyes bulge at his new wound.
64 INT. RENGLER MANOR – BOARDROOM 64
Chris opens the cabinet. He pulls out a blank scroll, but
before his eyes, it starts to fill with text.
It reads: The mark of all those who seek power is to change
the world. Money is no object, but evil is a necessary must.
In the case of the one known as Rengler, he will create
something that the world has never seen before, and with it
bring a self-manufactured Apocalypse.
65 INT. RENGLER MANOR – ROOM 65
Rengler pulls a blank, white sheet of papyrus from a drawer
before him. He puts his palm on it and murmurs a short
incantation, and the sheet bursts into FLAMES.
66 INT. RENGLER MANOR – BOARDROOM 66
The scroll in Chris' hand turns to fire, briefly engulfing
his hand. He's barely able to put it out, swatting the fire
away with his other hand, and in doing so he becomes angrier
than we've ever seen him.
With a scowl, he throws the singed scroll down onto the floor
and stomps off screen.
67 INT. RENGLER MANOR – TORTURE ROOM 67
Danyael's eyes glaze over, and he totters towards one of the
operating tables, flopping onto his back on its surface. He
begins to convulse uncontrollably as Twist dashes over,
grabbing and squeezing his hand. She looks round frantically,
looking for something to snap him out of it as Danyael's eyes
roll back in his head.
68 INT. RENGLER MANOR – ROOM 68
Rengler glances round at the wall of security monitors behind
him and leans in closer on one of them.
We see the increasingly worried Twist trying to restrain the
convulsing Danyael.
Rengler's face picks up. His eyes turn towards the door.
69 INT. RENGLER MANOR – TORTURE ROOM 69
Twist doesn't see the door to the room swing silently open,
and Rengler approach her from the shadows behind. She attends
to Danyael too much to notice.
Rengler rubs his palms together, and as she hears the sound
Twist looks up, frowns, then snaps her head round. She sees
Rengler at last, but it's too late.
She reaches for her bat, but before she can get to it Rengler
fires a BLAST of blue energy towards Twist.
It hits her dead in the stomach, and sends her flying
backwards headfirst into the confines of a wall. She slumps
to the ground, seeing stars.
70 INT. RENGLER MANOR – STAIRCASE 70
Chris quickly descends. He busts down the door at the end of
the staircase like it wasn't there.
71 INT. RENGLER MANOR – TORTURE ROOM 71
Chris enters, seeing Twist & Danyael strapped down to
operating tables with manacles, and Rengler over the side of
the room. Rengler has the bonesaw in his hands and is dressed
in a PVC labcoat, with gloves and goggles too.
They stare off for a few beats. And then, it begins.
Rengler throws the saw to the ground as Chris charges towards
him, each gathering up a ball of magical energy in one hand –
Chris has blue, Rengler red. They THROW their respective
bolts at each other.
Rengler's spell catches Chris in the stomach, just as Chris
catches Rengler in the legs. Both are temporarily frozen to
the spot, struggling to move.
The spells break, and they start again. Rengler fires a black
bolt of energy towards Chris, while Chris replies with a
yellow ball of magic.
At the speed they're moving, both spells have the added bonus
of sending each man hurtling into opposite walls as they SLAM
into each of them.
They slowly pick themselves up. Rengler clutches his head,
while Chris clutches his gut. Charging forward again, Chris
readies another blast of magic.
Chris fires his spell towards Rengler, but with a wave of his
hand he parries it away, and with a gesture from his other
hand pulls Chris towards him.
When Chris gets closer, Rengler grins, reaches behind him and
STABS Chris in the gut with a dagger. Chris coughs up some
blood, staring with disgust at Rengler.
Rengler lets him fall to the ground. Chris' eyes slowly begin
to shut.
RENGLER
Don't give up now, Chris! Talk to
me...
Chris's eyes finally shut, and we:
BLACK OUT:
END OF ACT THREE
ACT FOUR
FADE IN:
72 RENGLER MANOR - STUDY. NIGHT. 72
We fade up on a warm study room, a log fire crackling in one
corner, the licks of flames dancing across the rows of neatly
ordered books, boxes, scrolls and cabinets lining the walls.
In the centre of the room is Chris, unconscious and strapped
to a high-backed leather chair. He stirs, looking around him
as he wakes up, testing his bonds but finding he can't move
at all. He hears footsteps and tries to turn round, but can
only see so far.
After a few moments, Rengler strides into the study, wearing
a blood-soaked PVC apron and pulling off a pair of latex
gloves. He smiles down at Chris, who glares back as Rengler
picks up an A4 notepad from his desk and writes on it,
turning it to face Chris.
(How do you feel?)
Chris throws Rengler an incredulous look, and he chuckles.
RENGLER
My apologies, I couldn't resist.
Come on, Chris, play along! I know
your two vampire puppets downstairs
won't say a word either, so either
my spell affected them as well as
it did you, or...
Rengler pauses, and places his hands over his mouth in mock
surprise, before grinning.
RENGLER (cont'd)
Oops, now look at me. Let the cat
out of the bag, didn't I? Must have
been the same cat that got your
tongue. Now, let's try this again.
Rengler passes the pad and a pen to Chris, who has just
enough movement free with his right hand to write:
(Where are Twist and Danyael?)
RENGLER (cont'd)
They're... well, I was about to say
safe, but that'd be a bit of a
white lie. They're not dead yet, if
that's what you mean.
(beat)
Or dead again, I should say.
Chris' eyes blaze as he writes again:
(Exactly what are you up to here?)
RENGLER (cont'd)
A masterpiece, Chris, pure and
simple. I'm a man of great vision,
and for years I struggled to find
the tools to achieve that vision.
Now, I have seen the way... and
this very night, it shall be
completed!
Rengler stands and starts to pace the room, Chris never
taking his eyes off him.
Carefully sliding the pen up towards the bonds on his wrist,
Chris tries to break through with the pen's tip.
Rengler stands before the large window in the study, watching
a storm start to rage outside.
RENGLER (cont'd)
Many years ago, I was travelling
out in some backwater country, I
can't remember exactly where, one
of those interchangeable Eastern
European states that feature so
heavily in bad Forties movies, on
one of my many relic hunting trips
abroad.
73 INT. EASTERN EUROPEAN TEMPLE. NIGHT. 73
A younger looking Rengler walks into frame, dressed for
exploration and holding a flaming torch as he pushes through
the cobwebs of the crumbling stonework of the temple.
RENGLER (V.O.)
I chanced across an old, abandoned
temple, and as I headed inside, on
the lookout as always for anything
of value I could liberate, I saw a
painting.
Rengler walks into the main hall of the church, full of
rotting wooden pews and shattered stained glass windows. His
attention is drawn to a frieze running along the back wall
behind the altar.
The wall appears to be glowing softly, his torch casting
flickering shadows around the interior as he creeps forward
cautiously.
RENGLER (V.O.) (cont'd)
But it was much more than just some
colours splashed ungracefully onto
the plasterwork, it was... alive.
Rengler approaches the painting, and as we draw closer we can
see what he means - the picture depicts a horde of seemingly
random monstrosities, chaotic beings all fused together in
one mass of flesh and bone.
That's not the main thing, however - the whole painting is
MOVING breathing almost, and as Rengler reaches out a
cautious hand to touch it, it reacts to him, moving beneath
his fingers. A look of perverse joy hits Rengler as he starts
to realise this is something very important.
RENGLER (V.O.) (cont'd)
At first, I thought fatigue was
playing tricks on me, but I soon
came to see that there was magic at
work in there. What the temple's
old purpose was, I haven't been
able to discover. The purpose of
the painting, I did find out - it
was a channel. A focus point for
supernatural energies, both from
this world and another beyond,
linked together and drawn to that
place almost like a sink tap
running from the side of a
reservoir. Tremendous power, Chris,
beyond my comprehension!
74 INT. RENGLER MANOR - STUDY. NIGHT. 74
Rengler has a distant, happy smile on his face as he
remembers the experience.
RENGLER
But, alas, the well had run dry at
that particular spot, so there was
nothing to be gained from the site.
That's when I learned about ley
lines. An almost circuit board-like
network of naturally occurring
energies, criss-crossing the entire
planet. It was no coincidence that
the painting was at one of these
locations! All I needed to do was
find another, fashion a new conduit
and tap into all that free power...
Chris writes something down again, making sure Rengler
doesn't think he's using the pen to get free.
(What does this have to do with us?)
RENGLER (cont'd)
Oh, nothing, really.
You've just interrupted my
preparations, and that's the kind
of thing I'm afraid I do frown
quite heavily upon. That, and the
fact that one of your accomplices
has something that I need.
Chris raises an eyebrow, and Rengler smirks.
RENGLER (cont'd)
All in good time. Well, I'd best be
getting back to work. Those
vampires aren't going to dissect
themselves! Your male accomplice
has a particularly unhealthy liver
that should provide just the right
amount of...
(feigns shock again)
And there I go, giving everything
away! Silly me, eh?
With an evil smirk from ear to ear, Rengler exits, not before
taking the pad and pen away from Chris.
When he's safely out of the room, Chris closes his eyes and
relaxes, then tenses his arm as hard as he can, managing to
TEAR through the bonds with some effort. With one hand free,
he quickly gets to work on the rest.
[top | previous | next]
Script created with Final Draft by Final Draft, Inc.